I am always a work in progress... We never stop learning to master our craft.


Some of my favorite personal quotes..

"Everything I do, everything I am, all that I breathe is 18+ and will contain sexually suggestive material. ~ Gina Kincade 2011

"If you never have any expectations of other people then you will never be disappointed. When a positive experience occurs it is always a reason to rejoice." ~Gina Kincade, 2009

"I have learned, as a rule of thumb, never to ask whether you can do something. Say, instead, that you are doing it. Then fasten your seat belt. The most remarkable things follow." ~Julia Cameron
Showing posts with label publishers. Show all posts
Showing posts with label publishers. Show all posts

Tuesday, June 28, 2016

Time is running out on the The Romance Reviews’ Sizzling Summer Reads Party! Don't miss out!

http://www.theromancereviews.com


The Romance Reviews’ Sizzling Summer Reads Party in June will be coming to an end on June 30th at 11:59 EST. 
Don't miss your chance to get in on all the fun with games and giveaways from this amazing list of publishers and authors!

PARTICIPATING PUBLISHERS

Soul Mate Publishing
Pocket Books
Loose Id
Devine Destinies
Gallery Books
Loveswept
eXtasy Books


PARTICIPATING AUTHORS

Susan Carlisle
J.S. Scott
Claudia Connor
Rachel Rossano
Larynn Ford
Nicole Pouchet
Megan Ryder
Kathleen Brooks
Marie Astor
Gail Koger
Crystal-Rain Love
Blair McDowell
Ruth Kaufman
Dariel Raye
Debra Jess
Alyssa Drake
Nicki Elson
Linda Rae Sande
S. Carman Knight
Aubrey Wynne
Aurora St. James
Kim Cresswell
Kait Gamble
Holly Cortelyou
Jacquie Biggar
Audrey Bondurant
Sloan Parker
Ashlyn Chase
Kira A. Gold
Lecia Cornwall
Normandie Alleman
Karyn Good
Felice Stevens
Kayden Claremont
Jennifer Labelle
Aubree Lane
Sierra Brave
Deanna Lynn Sletten
Jaime Reese
Rena Koontz
Jenn Langston
Cali MacKay
Kelli McCracken
Anne Barwell
Ryan Jo Summers
Cassandra Piat
S.J. Forst
Megan Tayte
Jessica Jayne
Lea Bronsen
Nicole Morgan
Rosalie Redd
Susan Reeves
Julieann Dove
Terri Osburn
Constance Phillips
Elizabeth Varlet
Errin Stevens
Jeanette Winters
Michelle Jo Quinn
Katherine Bone
Pamela Jo Edwards
Robyn Peterman
Vanessa Liebe
Jianne Carlo
Anna Durand
Colleen Myers
Lia Davis
Tena Stetler
Mia Frances
Mia Moore
Josie Dennis
Laurel Richards
Catherine Hemmerling
Maureen L. Bonatch
Gina Kincade
Kathryn Freeman
Charley Descoteaux
JoMarie DeGioia
Parker Avrile
Nikka Michaels
Teri Riggs
Elizabeth Harmon
Annette Blair
Kahlen Aymes
Marina Martindale
Alexa Grace
Amy J. Hawthorn
Ruth Cardello
Margaret Locke
Annie Rose Welch
Morgan Kay
Diana Layne
Sharon Buchbinder
Lynn Montagano
DB Michaels
Georgia Lyn Hunter
Clair de Lune
Sandra Kyle
Susan Boles
Scotty Cade
Aurora Springer
Natalie J. Damschroder
Meredith Bond
Vera Roberts
Elizabeth Ellen Carter
Ashley York
Stella Eromonsere-Ajanaku


~ Lady Gina Kincade,
Author of Erotica and Erotic Paranormal Romance

Saturday, April 27, 2013

How Often Do We Allow Others To Tell Us What To Think? How Do You Choose Your Publisher?


How Often Do We Allow Others To Tell Us What To Think? 

How Do You Choose Your Publisher?

How Much Credit Do You Give A Negative Recommendation? 

Have you ever heard of ensuring due diligence when you are reporting information on something, someone or a business? 


 These are all questions I’ve been asking myself a lot lately. It’s not an easy decision to make, and, frankly, sometimes it’s made even harder when your research doesn’t report all the facts you need to take into account when making a choice. Sometimes listening to other people's opinions doesn't help either, it hinders.

In fact, I once considered an editor for a position in my company on the recommendation of one author I respected and considered a knowledgeable friend. She gave me her opinion and her view of her own interactions with this person. It was a decent recommendation on a person unknown to me.

Then I spoke with another author who had used the applicant's services and was dismayed by what I found out. Her opinion was far from favorable.

This encouraged me to check out more of this applicant's listed references.
Thankfully, however, the personal and work references provided by this individual didn't quite have as narrow a view and the truth about certain unsavory behaviors of the applicant’s past revealed themselves. 

Though the applicant offered additional references when I brought the results of my background check to their attention, I was confident that the information I had already obtained was significant enough that I was able to make a more informed decision. One that likely prevented a lot of additional stress within my company. Due to the views and opinions of several people rather than just one, I didn't end up hiring this person for the editor's position.

I like to think I did due diligence in my investigation, and taking the time to do so saved my butt and my business.



Today I had some information that crossed my desk via one of my loyal writers that concerns me. In fact, it concerns me, my business, Naughty Nights Press, the writers with NNP, and, in fact, any writers out there that may have otherwise considered Naughty Nights Press for their publication needs.

It was brought to my attention that Naughty Nights Press has been included on a website called Preditors & Editors (their intentional misspelling, not mine). This site’s intention is to assist writers in making an informed choice of where they wish to send their manuscripts for consideration on publication.

Now, P&E and those who run the site are human (gasp). They are only able to determine their recommendations and ratings based on the information handed to them by writers, even if it may be embellished, fabricated or simply a misreporting of the facts to the powers that be over at P&E. Either way, the fault isn’t with P&E for that, so despite the fact I dislike their recommendation, which by the way is far from favourable or encouraging, I am not angry at P&E, nor am I about to launch a rampage against them as others have in the past. Where would be the point? It is simply an opinion. It could be a biased, one-sided opinion, yes, but it’s an opinion nonetheless.

Yes, I know from past experience that the NNP writers will hate me for asking them not to run over to the P&E site and give their differing opinions on their own experience with NNP, but I am asking it all the same. Don’t, please don’t. Your positive intentions can bring more harm than good if P&E feel, that just for providing a recommendation we disagree with, they’ve been attacked by a lynch mob. It’s okay. We will survive this as we’ve survived in the past. Eventually, in all things, the truth comes out. I think we are all aware where and why this recommendation has been entered there. Can’t do anything to change that, now.

P&E claims to rely on “documentation” before determining their recommendations and that is fine, documentation is only as good as the person, or writer, who submits it to P&E would like it to be. It doesn’t, or at least shouldn’t take the place of facts, one’s own actual research into a publishing house, or another writer’s experiences with a particular publishing house like NNP.

P&E is designed with the intent to help writers. And, they can and do provide that assistance to writers just as the forum “Bewares, Recommendations & Background Check” on the Absolute Write Water cooler does.

However, I feel these sites can also do a disservice to writers at times too. When listing a publisher based on information garnered from one or two sources (often related to one another), how can their recommendation be anything to base your entire decision on when they fail to give factual details? Just because one writer may have had an unhappy experience and chose to write to P&E about it, does not make that publisher one to be completely avoided without at least some other fact or form to back up the recommendation, don’t you think? It does happen, publishers and writers don’t always have a happy go lucky interaction with one another and from time to time one of those parties may leave the relationship feeling disgruntled or shafted. Their pride and feelings have been hurt. It happens.

When you begin your search for a publishing house, I’m curious, how do you make your decisions on the ones that may be a viable possibility for you to pursue? Do you ask the current and past writers for that publishing house how they found their treatment? Have you inquired as to whether the house pays their writer’s royalties, on time, every time? Do you ask about the process of editing offered by the publisher and whether or not the writers found it acceptable, educational, perhaps even enjoyable? Have you looked around and observed the effort the marketing team of that publisher puts into promoting, doing that little bit extra to assist authors and may make that publisher stand out from other publishers because of something they do? What do you know about the people that run it, the management? What do other writers who may not be part of that house have to say about their interaction with the people from that publishing house on blog posts, assistance in information gathering, knowledge given about the publishing world? Do non-house writers, authors who are not published with that house, have good things to say about that publisher and the things they have seen them accomplish?

Whatever your questions may be, do you rely on one source when buying a car, a house? Of course not, so why would you do that when shopping for a publisher? I know I wouldn’t.


So, despite the fact that yes, NNP did have a rocky start a year and a half ago, and we did have to ask an editor step down, and we have had one or two writers for whom NNP was simply not the best choice, and unfortunately for all, the issue was discovered *after* contracts were signed, it doesn’t make the entire publishing house a “bad” place and one to be avoided, does it? In my world most businesses have trials and tribulations they go through. Perhaps I’ve just been more open and honest about ours rather than deal with it all hush, hush behind closed doors. My fault for not keeping the secrets to myself, I guess. I’m simply an honest person. I know I have proven that honesty and openness of everything at NNP to many writers, so I’m not worried.

As a general rule of thumb, for any viable businesses I have personally dealt with, it can take a couple years to show the true worth and success of a business. Judging a publisher so harshly within the first year harms them, and the writers who do happen to believe in them and do so for a very good reason.

That reason: NNP has proved themselves as a worthy publisher and the writers within my publishing house, for whom NNP does whatever they can to help bring out their best and publish their books, might be a good place to start your research. Many of them have been with us since the day we officially began our publications and continue to submit their manuscripts, receive their royalties on time, every time, and, as far as the writers have told the management, are more than happy with NNP. If my writers are not happy I’ve always asked them to come to me, to let me know what I can do to help, and I have done whatever was within my power to do. Unfortunately, I can’t please everyone. This is one way, perhaps, I do fall short, but that cannot be helped.

I can also honestly say that from the day NNP opened its doors we have struggled, yes. We have had to work at fixing some issues we had in our startup  yes, and even some day-to-day issues that may crop up. But, we have also been in the black since day one, meeting the needs of our writers, our contractual obligations, paying all our expenses and, most importantly, our authors. There has been one exception to this, yes, but many feel that exception was no fault of NNP and rather the writer’s personal intention instead. What can we do when we are not afforded an honest chance to try to fix something a writer is unhappy about? Or, consider if that writer may have actually had an ulterior motive to his behaviour and subsequent report to P&E. Could we have made that situation different? Maybe, but it’s doubtful.


As the saying goes, don’t believe everything you hear, for you may just miss an otherwise wonderful opportunity. Do yourself a favour, be independent and form your own opinion. I’m not saying you’ll make any different decision than you may have based off another’s recommendation, but at least get more that *only* one opinion before you judge. Also try to remember that sometimes sites designed to help writers can be given and report false information too. It happens. They are only humans behind the postings. The facts as they’ve been given them may not be the true situation. Who really knows? In my world, there are two perceptions to everything, three if you count the true facts.

Do your research into any publishing house. I am the first to agree with that. AND, READ the contract. Honestly, very few writers do and then they get all upset, blaming the publisher when something isn’t quite the way they wanted it to be. If you didn’t read the contract you willingly signed don’t you have some fault in it too?

It’s too bad, though. I would like to think that the things I’ve been told about NNP, about what I’ve attempted to do for writers over the last year and a half are true. It’s always been my goal to help my writers, not to be lumped in with some of the publishers who may not be so honest out there. Yes, they are many, and we hear about more and more horror stories every day. But there are just as many, if not more, good, honest publishers.

It saddens me, though, when my own business is listed up there and I have tried to be an honest, writer-friendly publisher that authors can be proud to be with. This morning, finding out that we are on P&E as “Strongly not recommended. A publisher in Canada” really hit me in the heart. That simple little phrase lumps us in with several other publishers who have been in the limelight lately and may not be quite so honest with their writers. Publishers who are not paying royalties, and who just plain flat out treat their authors like crap. It also lumps us in with vanity publishers and ones who have committed crimes or unreasonably scammed authors, conning them out of thousands of dollars to publish their work.

NNP doesn’t do that, we never have and we never will, so why are we listed in the same light? A single, one-sided, biased opinion can hurt many writers instead of helping them. One opinion, one noted recommendation without a listed “reason” even, makes Naughty Nights Press a bad publisher? One comparable to the others with the same recommendation?

Wow. Just freaking wow. I’m not even sure how to take this, but I guess I can only do what I’ve done since the beginning and keep trying to make NNP the best that we can be and prove these judgments as incorrect.  Let our history, our reputation with our authors speak for itself. There’s little more I can do about it.

I’m sorry that P&E felt NNP belonged up there with that type of statement. I’m sorry to the writer we were unable to appease, but most of all, I am sorry to the writers who might miss out on what NNP can offer them and I’m sorry to my current, loyal, long-time writers for the tarnish this puts on your good names for being a part of Naughty Nights Press.

But, all this negativity aside, it doesn’t change the very true fact that NNP has so many happy authors, does it?
The only thing I can think of to do about it, despite my initial gut reaction to want to loudly protest this negative recommendation, is to prove the recommendation and opinion of one person as false. I can only continue to strive for the vision I have for my writers and my business, and for those who chose to believe in this small publisher, thank you. I am proud to have earned that faith and trust. I will do everything as I always do to continue to earn it.

I am happy to say that I’m positive at least 99% of NNP writers are happy and shall continue to write for us. The other 1%...well, perhaps they are lost in a world of their own making as I’ve not been in contact for quite some time... It happens, you know. It is fiction after all.

I welcome your opinions and comments on what I have written here today. I feel that sometimes, despite the intention of some of these "helpful" sites to actually help authors avoid "not so good" publishers, they can also provide information on occasion that isn't all that helpful because their recommendation was based on information that may not be 100% true. They can provide information and recommendations that can unfairly harm a publishing business that is still attempting to gain its ground in this cutthroat business market.

What do you think sites like Preditors & Editors or Bewares, Recommendations & Background Check on the AbsoluteWrite Water Cooler forum  should be required to do before they report negatively on a publisher? Do you think it's reasonable or fair to expect explanatory documentation to accompany a "not recommended" opinion, or, should authors just take their word for it? These people are, after all, writers themselves, I believe. 

I'm not suggesting names be shared, that is unethical, but just the facts that the opinion and recommendations are based on. The varying of reasons offered for such a response from P&E is quite a long list. How is one to know what might need to be improved within their business model if one is never informed of the possibility that something may be not such a good thing? Assuming, of course, that any potential change was reasonable and possible while still maintaining an equal opportunity to both the author and the publisher for what each give to the agreement and working relationship. 

Not every publisher is a big bad rip off artist trying to steal one from a writer and waiting to pounce on the next unsuspecting soul to send in a best selling manuscript. Nor are we all closed off to suggestions and learning what may make us a better publisher in the eyes of the masses of writers out here.
I, for one, have never claimed to be perfect, and if someone could show me reasonable cause and benefit as to why something I do at Naughty Nights Press should be changed, I am more than happy to consider it.

 Life is, after all, a learning experience for us all.  Just as writers don't start out as best selling authors, nor do small, independently owned publishing houses have an immediate opportunity to join the"big six". I wish we all could.

Wishing you all a wonderful day.  Blessed be. 

Lady G

Monday, April 1, 2013

What's Always Better Than One? Why, Three Of Course! Three Shifters, Three Publishers And Three Hot & Sexy Stories That Is...

What is always better than one? Why, three of course! 

Three Shifters, Three Publishers and Three Hot and Sexy Stories for the price of one...Only $3.49!



Shifting Gears Anthology

One conference. One snowstorm. One nearly empty bar. Half a dozen small press publishers... and an organization was born.

Now we're shifting gears...


Three publishers step from behind the desk and work together to bring you a very special, hot and sexy, shifter anthology.


The first of many collective anthologies by The Association of Independent Digital Publishers, this book is sure to be the cat's meow.


Enjoy!



Buy Link at Naughty Nights Press


Stories and Blurbs

A Shot at Love (Gina Kincade, Naughty Nights Press)

When faced with the displeasure of his lover’s family over their son’s sexual preferences, as well as the issue of him being 'not of their kind', Jay, an eagle shifter, thinks he’s doing the right thing for everyone when he chooses to walk away from the only man he’s ever loved.
Quickly realizing how hard it is to stay away from Mark, a panther shifter, Jay watches from afar and suffers a massive bout of jealousy at the first sign of another man in Mark’s house.
Will Mark turn him down in favor of this new person in his life, or will Jay convince him they belong together?


The Twilight Mew (Rian Monaire, Mojocastle Press)

Rhylie loves the idea of becoming a cat shifter, and decides to cast a spell that will finally give her the abilities she's been seeking. But she needed to be careful what she wished for...or at least, be more specific.
Giordian just wanted peace and quiet, and the woods offered just that. Unfortunately, his twilight visitor was going to shake all of that up.

Buy Link At Mojocastle Press


Better With Mustard (Shelby Morgen, Changeling Press)

When a stray cat blackmails Officer Joe Callahan down at Coney Island Dogs, Joe thinks he’s got a case for Animal Control. But this is one of those rare times when Duct Tape can’t fix everything. The stray cat’s under Joe’s skin. She’s all too familiar, but can she find a place in Joe’s bed--and his heart?

Buy Link At Changeling Press








Posted by:
~ Lady Gina Kincade,
Author of Erotica and Erotic Paranormal Romance


Friday, March 9, 2012

I Am The Publisher. I Pay You. I Am Therefore, Your Boss.  You Don't Get To Call The Shots.

There is something some people clearly just do not seem to understand so please, allow me to be very blunt and we shall see if perhaps they can see through the amount of arrogance and stupidity they currently suffer from for just a moment. I'm not holding my breath though.

I am the Publisher.  You are a writer.  You submitted your work to MY company to edit & make all nice and apply a pretty cover to for which, in exchange, you are credited as the author of the work and shall be paid.

However, I am still the Publisher,  which means I have invested time & money into your work so, in exchange, I have a right to sell your work.

I am the Publisher, I give your work to distributors to sell, they make copies & versions of that work, which they advertise for you in their applicable formats to provide to readers who wish to buy your work.

Readers pay for your work, they want to choose the version or format of the work that suits their ereading device so they can actually READ what they paid for.  These formats & versions are provided to the readers by the distributor through their conversion methods, via the Publisher.  

Readers have the right to get what they pay for.  

Distributors have the right to get paid for distributing, converting & advertising your work.

Publishers have the right to get paid for investing in your work and making your work acceptable & attractive to the readers.

I am the Publisher. I pay you. You work for ME & MY company.
Therefore, in effect, I am your boss when it comes to the work (s) you have submitted to me and I have accepted and made all glittery.

Don't for one damn minute believe that YOU can tell ME how to run MY business.  

Don't think that you can threaten, manipulate, coerce, slander, or attempt in any other way to force me and MY company to allow you to try to change the way things work in MY business to suit your deranged sense of entitlement.

Don't think for even a second that you can manipulate the contract to suit your desires and illogical, invalid claims AFTER the work has been published. 

Don't assume that you can only now, 8 months or so after signing said contract, THINK you may see a problem with that contract and decide that you have found a way to force my hand and provide you with free editing services by claiming non-compliance for a logical manner of production.  Don't think that you can claim you were unaware of how ePublishing works. 

Don't think that by sending me over 15 harassing emails and multiple inbox messages on Facebook, containing termination notices, new contracts, rights reversions or any other crap claiming that MY company committed fraud, copyright infringement, intent to deceive or duplicity in any other form when YOU didn't read the contract or didn't care to be concerned for its contents when you signed it let's you off the hook & I will simply hand you back your work. 
You didn't inquire, ask questions or bring any concerns to the table prior to signing it and being advised by us to read it throughly, have it reviewed by competent legal council and let us know if you had any questions or concerns. This is NOT a factor at this point and your right to complain ended to moment you signed it.

Don't think you can threaten to contact MY company distributors, social media sites and online piracy to claim MY company illegally infringed upon your intellectual property & copyright in a blatant attempt to smear MY business name. You signed an agreement.

Don't think that threats to me, every member of my staff, complaints or arguments & insults to my cover designers or claims that my editor is incompetent or modified your work AFTER you worked one on one with her & approved the edits (which by the way are the intellectual property of MY company) will give you the means to take back that work and send it off to another publisher.

Don't even believe that you can simply begin to DICTATE to me what I, the Publisher, your boss, the current legal owner to the exclusive publication rights and commercial exploitation of the work for the length stated in the contract must do or not do, say or not say, disclose or not disclose to whomever I choose in the medium of business dealings about you, your insufferable holier than thou and immoral methods.

You're a fool if you think you can demand I allow you to enter MY private groups on any social media site after you've been removed from them for not following the rules of the groups & treating other members with respect or following the simple request to actually participate in a positive, supportive manner and for your rude and nasty attitude.

You're a fool if you think you can beat me into submission with your high & mighty bullshit and demand I post or do not post ANYTHING I choose to MY blog(s) so long as your right to privacy is protected in the WRiTTEN content of said blog posts.

I am the Publisher, you are the writer, I pay you according to the agreement you signed for the work or choose to remove it from circulation for violating the rules of my distributors or IF I feel the work will not bring in the desired proceeds. 

Do NOT attempt to tell me where & why I am wrong. If I've made a mistake, a reasonable mistake, a logical mistake that has no bearing on any of the above sales & payments, expectations of production & commercial exploitation and would not affect you in any negative capacity then please, save your overbearing, nasty attitude for the next pub you try to rip off.

If I turned down your application for a position within MY business because you could not fulfill the required criteria, and your references came back less then savory, this does NOT give you the right to decide to then become angry, belligerent and argumentative about every aspect of the production & publication of a work contracted prior to the decline of your services simply as a "pay back" because you didn't get what you want.  This does not entitle you to get your work edited for free.  This does not entitle you to a damned thing. Temper tantrums are quite childish.

And finally, do not attempt to tell me that I must behave, speak & converse with you outside of said signed author agreement in any way deemed by  YOU as unprofessional or expect to to bow to you & respond to your games on YOUR decided timelines. 

Simply put, I don't bloody well have to! I will run MY business MY way and YOU will not be the one who tells me I can't. Of course, you don't have to like it, but you do have to deal with it.

MY publishing company did not seek you out, you submitted your work(s) to MY publishing company remember.  The big mistake I made (which of course I didn't realize at the time due to a lack of a background check) was to accept your work(s)  

Now, I shall simply have to follow the reasonable course of professional action and sell it.  OR you can choose to pay the "buy out" fee for the work(s) if you want the work(s) back earlier then the contract conclusion date.  

The "buy out" fee is a representation of the costs associated with the work done on your book & the investment into it.  

People deserve to be paid for the job they've done. It is a reasonable and legal acceptable requirement.

We did not dictate to you how to write your book (your job), do not dictate to us how to do our job.

Saturday, January 7, 2012

Can You Judge Your Book By Its Cover?

Book Covers: What does a cover say about a book? What defines good/bad covers? Should the author name or the title be the main catch (larger print) for the eye on the cover? Do you name an editor on your cover?
How can "tacky" covers impact an author and future sales of the book? Or of other books by the same author?

Just how important do you believe the cover is to your work?


To me, as a reader, writer and publisher, it's the beginning. A cover can be a bigger deciding factor to potential readers then you may think.

As both an author and a publisher I may have a perception about covers that is not always shared. The age-old expression "you can't judge a book by its cover" should be considered so very wrong in my personal opinion. I feel your cover is the first thing readers see before anything and as such will be the initiating factor, on many occasions, as to whether or not they take a second look.

A book cover SHOULD reflect what is inside those pages.

As an avid reader I will pass by a book if I find the cover unattractive, even if it's by a well known author. It could very well be that author's best work yet, but honestly most readers won't know about it because they won't be bothered to find out.

In my opinion a cover is the “gateway” to the contents. A good cover will catch my interest. It will lead me to read the blurb or book jacket information and then, if I like what I see, perhaps I'll sift through the first page or two in order to decide if it's still looking good to me.

Now, that said, a cover can be quite deceptive to a book's contents, which is where the above quote comes in again. You can have an absolutely perfect, attractive cover but yet the writing itself isn't all it should be. What is inside is not at all what I'd expected when the cover piqued my interest.

I believe covers should be attractive yes, but I also believe they need to effectively convey what's inside the book as well. A great cover with a ménage theme on the front of a book that is a straight, two-person, male/female story, with a one-shot occasion of a friend popping by for coffee but who is not part of the sexual scenes within does not a ménage book make. It's deceptive.

Could you imagine spending your hard earned money on a book where you have a nice romantic cover of Jimmy Thomas in a tastefully posed scene with a beautiful African American, only to get into the second chapter to find out it's a book about BDSM with emphasis on the SM? Not something I'd be pleased about.
Don't get me wrong, I do enjoy my BDSM books, but not when I purchased what I expected to be a sweet and sensual romance.

Or what about a book that although has a wonderful, detailed cover, the pages within are riddled with errors or such drivel that you couldn't imagine what might be on the next page. In fact, you dare not even turn the page for fear of what you'll find. That is the end of a read for this lady. I love my books for sure, but geez, they do have to be well written and punctuated properly.

It kind of leaves a reader wondering just what in the heck the place selling it is truly drinking! Yes, I said and meant drinking.

Your books are the windows to your success. Editors, designers, publishers are not perfect and I won't pretend that even the biggest authors/publishing houses have not had an occasional error inside their books. It does happen.
However, as a writer you can attempt to make sure your book is the best it can be before it gets to these people, and it will certainly help, but what about self-published authors?

A self-published author really can't blame anyone but themselves if their work is not up to par can they? Nope, unfortunately not.

My advice, either make damn sure you hire competent proof readers, editors & designers to compliment your work (assuming English is not your second language and a barrier here)

OR

Publish your book with a reputable publisher who will likely ensure your book is sold with a content reflective cover, the best editing possible and nothing but the interest of the reader in mind when it comes to that specific book.


Don't you think that it would be better for you as an author, for your readers, for those desired sales, if everyone could count on being able to judge your book by its cover?

About Me

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USA Today Bestselling Author Gina Kincade spends her days tapping away at a keyboard, through blood, sweat, and often many tears, crafting steamy paranormal romances filled with shifters and vampires, along with witchy urban fantasy tales in magical worlds she hopes her readers yearn to crawl into. A busy mom of three, she loves healthy home cooking, gardening, warm beaches, fast cars, and horseback riding. Ms. Kincade's life is full, time is never on her side, and she wouldn't change a moment of it!

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